Whether you've been gardening for ages or you're just setting out on your first venture into the world of plants, this guided journal provides a place to track all your garden chores, dreams and observations. Each month of the journal provides room to record upcoming chores, dreams you have for your personal space and the many wonders you observe in your garden throughout the year. Although numbered by week, the pages are undated so you can start your journal any year and any month you like. The My Garden Journal includes.... * Space for planning your overall gardening goals over the coming year. * 20 pages with areas to plan your garden layout, sketch an interesting flower or critter, or doodle when the weather is too nasty to get outside. For those with minimal artistic skills, you can use these pages for garden images from magazines or photos of your own garden as it grows. * 12 months of seasonal garden tips to give you an idea of what you may need to do in your own garden. The tips are followed by space to plan out your own garden's to-do list for the month. * 52 weeks of pages to record what's growing, how the weather has been, what you did that week, what you observed and any other garden news you want to record. * Room to imagine what next year's garden might bring. While the My Garden Journal can't turn you into a master gardener, it will make you a more organized and more observant gardener as you keep track of your chores, dreams and observations.
This Ingardenia volume is the second in the Analecta Husserliana series that is entirely devoted to the phenomenology of Roman Ingarden. The first was volume IV (1976). Twenty years after Ingarden's death, this volume demonstrates that the Polish phenomenologist's contribution to philosophy and literary scholarship has received world-wide attention. His ideas have proven especially fruitful for the definition of the structure of the literary work of art and the subsequent recognition of its characteristic features. Of all the early phenomenologists who were students of Husserl, it is Ingarden whose work has faithfully pursued the original tenet that language "holds" the essence of the life-world "in readiness" (bereit halten). To investigate this premise with the rigor of a science, as Husserl had envisioned for phenomenology, was Ingarden's life work. That Ingarden did not quite reach his ambitious goal does not diminish his unquestionable achievement. The understanding of the nature of the literary work of art has increased enormously because of his analyses and aesthetics. The Polish phenomenologist investigated above all the work of art as a structure of necessary components which define and determine its nature. That the artistic ingredient was shortchanged under those conditions should not be surprising, particu- larly since Ingarden usually kept a purist's philosophical distance from the concrete detail of the material under consideration. He was not concerned with individual works of art but with the principle that was shared by all of them as the defining feature of their being.
Can you spot the flowers and plants in this sea of patterns? The challenge in completing this book of secret garden is to color all the spaces, even the tiniest crevices. When you color the images here, you will feel relaxed and at peace. Coloring has that relaxing effect because you don't need to think, you just have to act and be artistic. Secure a copy now!
Historical and didactic essay engineer Arnold Regel.
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